项目 02

AI艺术是(不是)艺术

一个用艺术家克隆声线不断争论自身合法性的系统。

年份
2025
形式
生成式多代理装置
主题
递归辩论、自我克隆、破裂身份

艺术家自述

AI Art Is (Not) Art is an AI-generated system debating its own legitimacy as art. Built using large language models and open-source multi-agent frameworks, it continuously generate arguments for and against AI-generated art, all voiced through AI-cloned replicas of my own voice. One persona defends AI’s creative autonomy, while the other dismantles its claims. They are not opposites, they are fragmented versions of me, recombined by AI into an endless recursion of belief and doubt. The system does not progress, nor does it resolve. It loops, contradicts, escalates, and undermines itself, mirroring the algorithmic logic of social media debates and externalizing my own internal monologue, the very questions I grapple with in my artistic practice.
Physically, two 3D-printed self-replicas, sculpted from AI-generated models of my own image, stand as the materialisation of the debate. Fused into an inseparable entity, one covers its ears, the other its eyes, it is a fractured nod to the Three Wise Monkeys, a traditional Japanese maxim. However, the third figure, the one that would cover its mouth, is missing.
The fact that my voice, image, and even thoughts are dissected and reconstructed by AI, is my experiment of an identity disintegration performance. The system does not just debate AI-generated art; it debates my existence within it. If AI endlessly reshapes my voice into competing perspectives, does it create meaning, or merely sustain itself? When AI speaks in my voice, does it echo me, replace me, or fabricate something else entirely?

媒介

概览

这件作品是什么

一件生成式多代理装置:经由 MT 声线克隆而来的多个版本围绕 AI 生成艺术展开正反辩论,而 3D 打印出的自我复制体则把这场争论转化为实体表演。

它讨论什么

这件作品追问:当机器能够以艺术家的声音生成立场时,批评究竟位于何处。它把问题从“AI 是不是艺术”转向身份、作者性与判断如何在提示词、声音模型与系统设计之间发生分裂。

媒介与生成方式

作品由大语言模型、多代理编排、声音克隆、3D 建模与 3D 打印共同构成。它被设计成一个递归系统,而不是单一输出图像。

信息

年份

2025

媒介

生成式多代理装置

关注

递归辩论、自我克隆、破裂身份

常见问题

这是一件什么样的作品?

《AI艺术是(不是)艺术》是曾明德(MT)的一件生成式多代理装置作品,围绕递归辩论、自我克隆与破裂的艺术家身份展开。

AI 在这里如何被使用?

大语言模型生成相互对立的立场,经由克隆声音模型发声,再通过雕塑与装置元素被具体化。AI 在这里不是附加主题,而是作品的运行条件。

这件作品真正追问的是什么?

它追问的是:当机器能够以艺术家的声音继续争论,而艺术家的稳定在场不再被保证时,主体性与判断将如何被重新分配。

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